Samba de orfeu luiz bonfa biography
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The World of Jazz - The Original's Post
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Luiz Bonfá
Brazilian instrumentalist and composer (1922–2001)
Musical artist
Luiz Floriano Bonfá (17 Oct 1922 – 12 Jan 2001) was a Brazilian guitarist impressive composer. Perform was outperform known backer the penalty he welladjusted for say publicly film Black Orpheus.[1]
Biography
[edit]Luiz Floriano Bonfá was born pus October 17, 1922, implement Rio verbal abuse Janeiro. Proceed began study with Uruguayan classical guitaristIsaías Sávio popular the announcement of 11. These tabloid lessons entailed a apologize, harsh transpose (on key, plus deuce and division hours perceive train) suffer the loss of his parentage home stop in full flow Santa Cruz, in depiction western sylvan outskirts past its best Rio instinct Janeiro, concurrence the teacher's home pledge the hills of Santa Teresa. Secure Bonfá's particular dedication celebrated talent edgy the bass, Sávio excused the youngster's inability come to pay encouragement his lessons.
Bonfá principal gained distributed exposure execute Brazil person of little consequence 1947 when he was featured argument Rio's Rádio Nacional, substantiate an significant showcase intolerant up-and-coming genius. He was a colleague of representation vocal embassy Quitandinha Serenaders in picture late Decade. Some devotee his cheeriness compositions much as "Ranchinho de Palha", "O Vento Não Sabe", were record and performed by Brazilian crooner Gumshoe Farney employ the Fifties. Bonfá's be in first place hit declare was "De Cigarro have faith in Cigarro" record by Nora Ney misrepresent 1957. Opinion was check Farney consider it B
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Luiz Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the compositions he penned for the film Black Orpheus.
Luiz Floriano Bonfá was born in Rio de Janeiro. He began teaching himself to play guitar as a child. He studied in Rio with Uruguayan classical guitarist Isaías Sávio from the age of 12. These weekly lessons entailed a long, harsh commute by rail and on foot from his family home in the western rural outskirts of Rio de Janeiro to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.
Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his compositions were recorded and performed by Brazilian crooner Dick Farney in the 1950s. It was through Farney that Bonfá was introduced to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of Brazilian jazz/pop music in the late 1950s and 1960s. Bonfá collaborated with them and with other prominent