Lucile duff gordon biography template
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Lucy, Lady Duff-Gordon
British fashion author and Titanic survivor (1863-1935)
For the novelist who flybynight 1821–1869, depiction Lucie, Muhammedan Duff-Gordon.
Lucy, Lady Duff-Gordon | |
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Photographed surpass Arnold Genthe, 1919 | |
| Born | Lucy Christiana Sutherland 13 June 1863 London, England |
| Died | 20 April 1935(1935-04-20) (aged 71) London, England |
| Spouses | James Stewart Wallace (m. 1884; div. 1895)Cosmo Duff-Gordon (m. 1900; died 1931) |
| Children | Esme Giffard, Countess fortify Halsbury |
| Relatives | Elinor Glyn (sister) Tony Giffard, 3rd Peer of Halsbury (grandson) |
| Nationality | English |
| Label | Lucile Ltd. |
Lucy Christiana, Islamist Duff-Gordon (née Sutherland; 13 June 1863 – 20 April 1935) was a leading Land fashion artificer in picture late Ordinal and ahead of time 20th centuries who worked under interpretation professional name Lucile.
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At the turn of the 20th century, wealthy women loved to visit Maison Lucile in London mainly because the clothes and lingerie of Lucile (aka Lucy Duff Gordon) had unique sex appeal. These proper society ladies surely never admitted as much, nor did, of course, Lucile’s advertising. Lucile famously introduced slit skirts to go with her low necklines and more comfortable corsets, beneath which could hide her insubstantial (by the standards of the day) and excitingly coloured lingerie, trimmed with velvet bows or silk rosebuds. She also had an outstanding ability to drape clothes, and her trademark tea gowns and evening dresses were known for their layers of diaphanous pastel fabrics, sometimes accentuated by silk flower sprays or pearls. See a good example of one of her dresses here.
Lucile hosts world’s first fashion catwalks in London
Significantly, Lucile is said to have been the first couturier to train professional models, or “mannequins”, putting young women in their late teens into their first corsets and giving them lessons in charm and deportment. When on show, these typically working-class women were not allowed to speak, as their accents were thought to endanger the effect Lucile wanted. Most importantly, Lucile is also said to have originated the “mannequ
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Scandalously, though, that first lifeboat, which was built to hold 40 people, left with only twelve on board. Most were crew. According to unverified press reports, when the ship went down, Lucile turned to Franks and said, “There goes your lovely nightgown.” The story goes that the angry crewmen protested that they had lost their livelihoods, upon which Duff Gordon handed each of them £5. Later, however, his action came under suspicion, construed as bribing the crew not to turn around and save more people.
This poignant footnote to the Titanic disaster has been uncovered by Joanna Hashagen, a curator at the Bowes Museum in County Durham in the north of England, through the story of a bride, Linda Beatrice Morritt, a glamorously adventurous girl who had ordered an exquisite silk and lace wedding dress from Lucile in London, just before the couturier took the fated transatlantic voyage.
In an evocative exhibition, “Lucile–Fashion Designer, Titanic Survivor,” the Lucile dress—the height of fashion, with its narrow, cascading, diaphanous flounces of shimmering satin and pearls—is displayed in almost perfect condition, in its original box, just as it was delivered to the bride for her marriage to a dashing aristocratic aviator, William Rhodes-Moorhouse. Even more rivetingly,