Jakob prandtauer biography samples
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Baroque architecture
16th–18th-century European architectural style
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe.[1] It reached its peak in the High Baroque (–), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (–), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about , an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.[2][3]
Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of quadratura (i.e. trompe-l'œil painting combined with sculpture): the eye is drawn upward, giving the illusion that one is looking into the heavens. Clusters of sculpted angels and painted figures crowd the cei
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Biography
Austrian architect. He is famed chiefly for his monastic and religious buildings, notably the abbey and church of Melk. He was the son of a master mason, and he too learned the trade. He also studied sculpture and architecture, however, for by the time he was 19 he was working as a sculptor in Sankt Pölten, a city in Lower Austria not far from Vienna. By he was a master builder (Baumeister), working on many projects in Sankt Pölten.
From until his death Prandtauer worked for the monastery of Melk on the Danube in Lower Austria, totally rebuilding the church and all the buildings of the huge monastic complex, one of the largest of its kind. Like his great contemporaries Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt, Prandtauer turned to Italianate forms for his inspiration, but, as did the others, he also introduced highly personal notes into his architecture.
While Melk remains his most famous creation, Prandtauer also built the beautiful pilgrimage church on the Sonntagberg () and the monastery at Garsten near Steyr (), and he reconstructed the monastery of Sankt Florian near Linz, taking over the works from Carlo Antonio Carlone. There he built the grand staircase () and the great hall (Marmorsaal; ). From on he was also in charge of w