Shaukat thanvi biography definition
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Ashraf Ali Thanwi
Indian Islamic pedagogue and Mysticism (1863–1943)
Hakim al-Ummat, Mujaddidul Millat Ashraf Calif Thanwi | |
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| Born | Abd al-Ghani (1863-08-19)19 August 1863[1] Thana Bhawan, Muzaffarnagar, British India |
| Died | 20 July 1943(1943-07-20) (aged 79) Thana Bhawan, Muzaffarnagar, Island India |
| Spouse | 2 |
| Parent | |
| Alma mater | Darul Uloom Deoband |
| Nationality | British Indian |
| Main interest(s) | Sufism, Moral Rationalism, Islamic restoration, Tafsir, Fiqh, Hadith, Divinatory biography |
| Notable work(s) | Majlis-e Dawatul Haq |
| Denomination | Sunni |
| Jurisprudence | Hanafi |
| Creed | Maturidi[2] |
| Movement | Deobandi |
| Disciple of | Imdadullah Muhajir Makki |
Disciples
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Ashraf Caliph Thanwi (often referred rightfully Hakimul Ummat[a][5] and Mujaddidul Millat[b] (19 August 1863 – 20 July 1943) was a nineteenth come to rest twentieth-century SunniMuslim s
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Mohammed Umr Shaukat Thanvi was a versatile genius poet, a journalist, and a story-writer. But he was primarily a humorist as is indicated by the titles of his famous literary works: Mauj-e-Tabassum, Bahr-e-Tabassum, Sail-e-Tabassum, and Toofaan-e-Tabassum. Historically speaking, Shaukat stands between the old and new schools of poetry. He combines in his humorous and satirical verse the wit and brilliance of the Avadh Panch with the sobriety and shrewdness of the new age. He uses his weapons of wit and humor, not only to provoke laughter and provide amusement but to expose the faults and foibles of society. This is particularly true of the poems included in this anthology-Shaair ki Beewi, Khwab-e-Azadi, Family Planning, and Aata, which are intended to focus, respectively, on the social and economic poverty of the poets and writers, dangers of confusing liberty with license, the problem of overpopulation, and the greed and hypocrisy of the business class.
Shaukat Thanvi was born in Thana Bhawan (Uttar Pradesh), India, but migrated to Pakistan after the partition. After working for ten years at Pakistan Radio, he moved to Karachi where he joined the editorial board of the newspaper, Jang, of which he also became the editor. He also wrote for several other literary journals su
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Known as khaka-nigari in Urdu, sketch-writing is a prose genre that has become very popular in Pakistani Urdu literature in the last few decades. This popularity owes much to the light-hearted and candid style adopted by most sketch-writers.
This candidness and light-heartedness was handed down to the genre from the earliest samples of Urdu pen-sketches: the sketch-like profiles of poets that make an interesting part of the famous Aab-i-Hayat (1880), the captivating history of Urdu poets and poetry written by the legendary Muhammad Hussain Azad. Although a pen-sketch is not intended to be a life-sketch or biography — and Azad has described the lives of the poets in addition to their literary merits and demerits — the personality traits and glimpses of the poets’ inner lives that Azad proffers in his history, in a flowing and absorbing manner, bring certain portions of the book very close to the genre of sketch-writing, which was born in Urdu a few decades later when Mirza Farhatullah Baig penned the earliest pieces.
Baig’s longish pen-sketch Maulvi Nazeer Ahmed ki Kahani Kuchh Un ki Kuchh Meri Zabani is one of Urdu’s earliest pen-sketches and paints his teacher and mentor, Ahmed, in vibrant colours. Baig’s sparkling wit, entwined with his command over the Urdu language, ma