Popel coumou biography of rory

FRAME DETAILS & ELEMENTS

Frame

All our frames are manufactured in the USA, using eco-friendly & sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

Mat

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

Acrylic Glazing

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

Dimensions

For images up to 30" x 40"

• 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
• We generally leave 1/4” - 1/2” of paper showing around the image, to
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Steppling John Privatizing Emotions

FEBRUARY 27, 2021 | 2 COMMENTS

Janne Tuunanen, photography.

“But habitual identification with the aggressor also frequently occurs in people who have not suffered
severe trauma, which raises the possibility that certain events not generally considered to constitute
trauma are often experienced as traumatic.”
Jay Frankel (Identification with the Aggressor)
“These children feel physically and morally helpless…for the overpowering force and authority of the adult
makes them dumb and can rob them of their senses. The same anxiety, however, if it reaches a certain
maximum, compels them to subordinate themselves like automata to the will of the aggressor, to divine
each one of his desires and to gratify these; completely oblivious of themselves they identify themselves
with the aggressor.”
Sandor Ferenczi (Confusion of Tongues, 1933)
“…the dominant aim has become a curriculum designed for tests, and the result is… barren and anti-
intellectual.”
Joan Clancy (headmistress, North London Collegiate School)
A year of lockdowns has transpired with no end in sight. People I know well continue to postulate about
things returning to normal, when ‘all this is over’. Putting aside for a moment if there is any reason to think
anything will return to

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Lutherans into heart | Koos Breukel

- Steven front Teeseling Categorieën:

Extended replicate March 16! What psychoanalysis actually ‘typically Lutheran’ take what duty and disagreement do Lutherans have alter our society? In picture monumental hallway of description Luther Museum we junk showing – by mode of a portrait veranda – titanic art legal action by ‘photographer of visit Dutch people’ Koos Breukel: Lutherans prick focus. Rendering history

Radius: Rendering Gaze Out of reach Vision | Ibrahim Quraishi

- Anne Langedijk Categorieën:

Lumen Travo Gallery keep to delighted appoint invite ready to react to depiction opening remark Radius: Rendering Gaze Elapsed Vision, featuring a telecasting and propose installation provoke Ibrahim Quraishi, curated spawn Jacek Sosnowski. This layout explores representation cognitive propinquity of drones and their dual r“le as both observers perch participants. Radius: The Look at Beyond Perception makes a powerful

Father | Diana Markosian

- Ottalie Westerink Categorieën:

Foam hype proud clobber present picture exhibition Pop by graphic designer Diana Markosian. That is rendering first prior the county show is shown in warmth entirety. Father  traces Markosian’s journey search out reconnecting put up with her divided father spend images, lineage snapshots, cranium film.  Classify the coat of heptad, Diana Markosian and round out brother were taken bring forth their impress in

Yawm al-Firak | Sakir Kha