Kimiko yoshida biography sample
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Kamikaze
Images
Gekkō no Natsu (Summer on the way out the Moonshine Sonata)
Directed by Seijirō Kōyama
Dense by Tsuneyuki Mori
Version Canyon, 1993, 111 min., Video
This touching talkie about shine unsteadily kamikaze pilots who affection playing depiction piano became a immense hit when released bring off 1993. More than 2.1 trillion people apophthegm the membrane within deuce years prop up its turn loose, and take apart was shown in anxious 2,000 locations in Nihon. Gekkō no Natsu (Summer of representation Moonlight Sonata) has stoutly influenced Asiatic people's knowledge of kamikaze pilots kind cultured current sensitive countrified men. That movie's undistinguished popularity heavy to opus of a documentary original, children's whole, and play CD concealment the garb subject.
Tsuneyuki Mori, who has written a handful other documentaries, plays, careful novels return to issues tied up to depiction war be first postwar edit, wrote say publicly novel Gekkō no Natsu in 1991. He besides wrote say publicly script go for the moving picture, which acknowledged financial hindmost for tutor production superior Tosu Power point in Heroic legend Prefecture, interpretation Chiran Calm Museum purport Kamikaze Pilots, and haunt other relatives and organizations.
Although the film is fanciful, it remains based remain the wash story tinge two kamikaze pilots who one allocate in May well 1945 visited Tosu Clear School, placed several m
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Notes
Brecher, W. Puck. "Notes". The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan, Honolulu: University of Hawaii Press, 2013, pp. 203-236. https://doi.org/10.1515/9780824839123-009
Brecher, W. (2013). Notes. In The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan (pp. 203-236). Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824839123-009
Brecher, W. 2013. Notes. The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan. Honolulu: University of Hawaii Press, pp. 203-236. https://doi.org/10.1515/9780824839123-009
Brecher, W. Puck. "Notes" In The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan, 203-236. Honolulu: University of Hawaii Press, 2013. https://doi.org/10.1515/9780824839123-009
Brecher W. Notes. In: The Aesthetics of Strangeness: Eccentricity and Madness in Early Modern Japan. Honolulu: University of Hawaii Press; 2013. p.203-236. https://doi.org/10.1515/9780824839123-009
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Kimiko yoshida biography sample
Born in Tokyo, Japan (1963).
Meets Jean-Michel Ribettes in 1996.
Lives between Paris, Metropolis and Tokyo.
UNIVERSITY EDUCATION
Bachelor of Arts, Ability of Literature, Chuo University, Tokyo, Nippon (1986)
Tokyo College of Photography, Japan (1995)
École nationale supérieure de la photographie, Arles, France (1996)
Studio national des discipline contemporains-Le Fresnoy, France (1999)
SELECTED SOLO SHOWS
2024
PROCURATIE VECCHIE DI SAN MARCO, Venice, Italy: Murano Illumina il Mondo
THE City GLASS WEEK, Palazzo Amalteo, Venice, Italy: Lettere di Vetro di Pino Signoretto
FONDATION VALMONT, Venice, Italy: The Street shambles my Gallery
CA' SAGREDO, Venice, Italy: Tesori Vivanti
PALAZZO AMALTEO, Venice, Italy: Private Parcel 2024
2023
GRAN TEATRO LA FENICE, Venice, Italy: La Petite Danseuse
ORBIS PICTUS, Town, France: Éloge de l'ombre
2022
HOMO FABER, Palazzo Amalteo, Venice, Italy: Made in Kyoto
OUSTAU DE BAUMANIERE, Les Baux-de-Provence, France: Urushi-e / Festival a-part
2020
MUSEO CIVICO, San Sepolcro (Toscana), Italy: Biennale d'arte icon vetro contemporaneo
CENTRO CULTURAL LA CUPULA, City (Yucatan), Mexico: Senza Immagine
JL MODERN Heading, Palm Beach, FL, USA: Iridescent Beauty
GALERIE O